![imovie 10.0.5 editing titles imovie 10.0.5 editing titles](https://i.ytimg.com/vi/WJtL2b2Yw88/maxresdefault.jpg)
I was looking at removing the app from the app store, and discontinuing support, because I couldn’t find a cost effective way to keep it all running. I’ve been using Parse for a couple of years now, to provide a push notification service to my uAlertMe app. Parse gave developers 12 months to sort ourselves out and find another place to host our data, and drive our services.
#Imovie 10.0.5 editing titles pro#
In Photoshop, something Ben taught me to do a few years back was to create a layer called “default”, and, in order to get Photoshop to export the various layers in my file as appropriately sized assets, add the sizes as percentages along with folder names.įor me, assuming my originals are for the iPad Pro 12″, this means I give my ‘default’ layer the name: "default 15.63% 31.25% 46.88% 37.5% 75.00% 100.00% where the originals are for an iPad Retina, the default layer would be called: "default 20.8% 41.7% 62.5% 50.0% 100.00% 133.33% can download the spreadsheet below.Īs some may be aware, the Parse service is to be shutdown on the 28th of January. I’ve also taken a screenshot so that you can see it easily.
![imovie 10.0.5 editing titles imovie 10.0.5 editing titles](https://help.apple.com/assets/60956C1D1D3D8A57DC2410A2/60956C1E1D3D8A57DC2410B0/en_US/732c647ae05dd78183964e2dea4aff67.png)
The result is available below for download. So I took Ben’s page and popped it into a spreadsheet.
#Imovie 10.0.5 editing titles plus#
It was a little out of date, plus I really wanted to calculate the sizes using the iPad Pro as the starting point. So I went hunting for a guide, and found an old site from Ben Lew of Pi’ikea St. When I did this, I wanted to start with the iPad Pro 12″ and scale down within Photoshop to maximise the quality of each asset size.įor all of my other assets, I had started with the iPad for some stupid reason and got my math all confused. That would lift FCPX to another level for these kinds of gigs.I’ve been working away on my latest app, and was just creating a new piece of artwork for the splash screen. But we would prefer to work in the same event on the same thunderbolt drive and edit in it simultanously. I can simply copy the project and then RELINK it to my Event, although it has nothing to do with Stefan´s event FCPX relaizes it is the same media behind it. Stefan makes an event with all "Day 3 footage" and edits a project with that. Our solution now was to create a new event with the same native media on the second machine e.g. So if I share after 3 days.how do I sync that event with the other one which has only 2 days in it? The problem here is that the Event is growing every day. If I have an event I can then also share it and share the projects that I generate in the event. You can set it up via LAN and SAN and whatnot, but not in a mobile setting. We basically have only one issue in our roadtrip-workflow: Since we are two editors it would be nice to share the event on one mobile drive. Now that is a nice addition to the feature set. To my surprise there is now a "tapeless-batch-capture" feature in FCPX called "re-link Event files from camera /archive" and it is in the File>Import menu But to me in the long term of the project it makes more sense to stick to the FCPX-only workflow instead of having to keep track which cards got imported how. The question is, if FCPX will ever be able to ingest while I am editing.Īfter day 4 we had 3 clips that were imported from a camera-archive that showed up as missing media, while the rest of the card was online. We were having a discussion if it would be faster to use XDCam Transfer and then import the re-wrapped files at least for some cards.
![imovie 10.0.5 editing titles imovie 10.0.5 editing titles](https://mactorrents.io/wp-content/uploads/2019/09/1567467871_507_otcxodkwnt.jpg)
That´s how fast it is. Of course it is only partially good news, because basically the delay during ingest comes from the fact that FCPX stops ingesting in the background while I edit. As long as clips are not finished ingesting you cannot export the timeline. The problem: I was so fast done with these rushes I am now waiting for FCPX to complete the ingest. So after shooting another 450 clips during stage 2 we got back to the hotel, started our ingest plus backup plus basic key wording (day, camera, operator)….then put some rushes into a timeline (already had some prepared last night) and also adding some interviews. We got a request to send a few minutes of news rushes of a stage and a few pictures for the stages before. I am now at almost 3000 clips and while last year my old Macbook (2008) with 4GB started bitching around with 1500 clips in FCPX 10.0.0 I have no problems at all now with FCPX 10.0.5 and the Macbook from 2011 with 16GB RAM. This year the ingesting, keywording and editing works mostly fine. After 6 days roadtrip-production we have not as much to report as 2011 when FCPX was new to us.